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Because it is a relation that puts at issue the doer and the thinker, the realist and idealist, the pragmatist and the dreamer. And a rock basic question like: which comes first, money or creativity? And what about the other arts? Buffet the subject. Develop a feel for the case. The cinema industry offers one range of illustrations about our object of inquiry.
One needs to take a variety of soundings into how artist and artistry are more than a matter of one person alone. And business. How and why the businessman as artist is the man or woman in American history who made creativity happen.
Not abstraction in the formation of concepts, but material reality in the construction of the meaningful objects of music, dance, painting, sculpture, architecture, literature and cinema. The businessman as artist also includes the fundamental issues of the craftsman as artist, of craft as art, of business likewise as art which is profitable and useful because a thing well made, well tended, productive and stimulated by sales and distribution may be an art in itself.
Nor is craft as art a quality disappeared. The elitist European art academy in the United States developed into an American training ground to make and sell.
For art and design this phenomenon stretches back at least to the Yale University Art School which trained that great businessman-artist of the old American West Frederick Remington through a series of schools such as Cranbrook Academy of Art in Michigan and Rhode Island School of Design.